Yet when it came time to shoot The Godfather: Part II, Castellano didn’t return to play Clemenza. And he went toe-to-toe with Pacino and the other leads on the Godfather shoot (see: the pasta sauce scene). But you can’t sleep on the performance of Richard Castellano, the fourth-billed actor who portrayed Clemenza, the capo who uttered the classic line, “ Leave the gun, take the cannoli.”Ĭastellano, who added the cannoli line during the Godfather shoot, had received an Academy Award nomination a few years earlier for his work in Lovers and Other Strangers (1970). The Godfather Trilogy is now available on 4K Ultra HD.With Marlon Brando, Al Pacino, and Robert Duvall leading the cast of The Godfather (1972), you don’t always hear about the supporting players. The Godfather: Part III-newly remastered and restored versions of the original theatrical cut and Coppola’s 1991 cut.Restoration Comparisons- Before and after highlights showcase extensive picture quality improvements to The Godfather.Įmulsional Rescue-Revealing The Godfather.Shot on location at the Norton family estate on Staten Island’s Emerson Hill, this is the first time it’s been made available to the public.
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The Godfather: Home Movies- An assortment of 8mm home movie footage shot in 1971 offers a candid glimpse into the production of The Godfather.Commentary on curated archival images makes for a fascinating, never-before-seen addition to the production’s history. Capturing the Corleones: Through the Lens of Photographer Steve Schapiro- In this reflective and frank discussion, special photographer Steve Schapiro shares his unique perspective and cherished memories as a witness to the making of this seminal film.
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Full Circle: Preserving The Godfather-Paramount Pictures archivists detail the incredible restoration process with archival footage showing the evolution of the film through various home entertainment incarnations as picture and audio technologies make quantum leaps over the decades.Introduction to The Godfather by Francis Ford Coppola.You can check out the full list of extras below. Plenty of new bonus features will be included alongside all of the bonuses made available on The Godfather Trilogy releases in years past. Another 1,000 hours was spent on color correction to "ensure the high dynamic range tools were respectful of the original vision of Coppola and cinematographer Gordon Willis." The set also includes restored original mono tracks for the first two films along with the 5.1 audio approved by Walter Murch in 2007. Coppola oversaw the process of restoring the films, which includes pouring through over 300 cartons of film and spending 4,000 hours on repairing its various anomalies in the negatives. All three films have been newly restored and remastered in Dolby Vision and this will be the first time ever the trilogy has been released on 4K Ultra HD. The set includes The Godfather, The Godfather: Part II, and Coppola’s recently re-edited version of the final film, Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. The Godfather Trilogy on 4K Ultra HD Includes the Films and Tons of Bonus Features Related: These Are Some of the Best Mafia and Gangster Movies Ever Made It was our commitment to honor all of the filmmakers’ exceptional work.” We were able to witness first-hand how the brilliant cinematography, score, production design, costume design, editing, performances, and, of course, screenwriting and direction became famously more than the sum of their parts. It’s also gratifying to celebrate this milestone with Paramount alongside the wonderful fans who’ve loved it for decades, younger generations who still find it relevant today, and those who will discover it for the first time.”Īndrea Kalas, senior vice president of Paramount Archives, added: “We felt privileged to restore these films and a little in awe every day we worked on them.
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“With this 50th-anniversary tribute, I’m especially proud Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone is included, as it captures Mario and my original vision in definitively concluding our epic trilogy. “I am very proud of The Godfather, which certainly defined the first third of my creative life,” says Coppola, who initially figured the film would be a failure, in a statement.